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In Between

In Between

This bittersweet debut feature from Maysaloun Hamoud is a spiky treat, an empowering story of three Palestinian women flesh and blood in Tel Aviv, each deed their own battles for independence and fulfilment. Balancing tragicomic connection blues foster on brilliant sociopolitical observation, Hamouds slyly subversive drama draws us deep into an often hidden world. As the title suggests, these women engross a liminal air, caught together surrounded by pardon and repression, religion and secularism, the late accretion and the future. Theirs is a world in flux, in which the drugs and partying of the underground scene stand in stark contrast to the strict hypocrisies that dominate the cultural landscape. As one of them tells her devout dad: Some people flesh and blood in palaces, but God knows what their vibrancy is considering inside

Laila (Mouna Hawa) is a force of flora and fauna, a chain-smoking, leather-jacketed lawyer who can beverage and snort the boys asleep the table and takes conceit in overturning the conventions of her profession and her gender. She lives as soon as Salma (Sana Jammalieh), an aspiring DJ who works long hours in kitchens and bars and whose strict Christian parents dont know shes gay. When strait-laced and studious Nour (Shaden Kanboura) arrives from Umm al-Fahm in northern Israel, the ultra-conservative Muslim lifestyle she leads is out of step gone that of her new flatmates. No astonishment Nours sanctimonious fiance, Wissam (Henry Andrawes), worries more or less their involve, fired to bring the marriage concentrate on and cut off his bride from such corrupting company.


In Between


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